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Showing posts with label robo-snowman berube holiday card linocut printmaking. Show all posts
Showing posts with label robo-snowman berube holiday card linocut printmaking. Show all posts

Friday, March 9, 2012

"WRAPPED STUPA" - CHIANG MAI, THAILAND


The afternoon I arrived in Chiang Mai, absolutely exhausted from a 24-hour travel period, I had time to myself before meeting the rest of the Volunteer Positive group for our first dinner together. In a bit of a daze and reluctant to stray too far from the guest house/hotel for fear of being lost in the metropolis that is Chiang Mai, (ha, ha), I decided to take a little walk. I figured my best bet was sticking to the main roads and relying on my experience with using visual markers as my guide. The place I finally ended up at was Wat Intakhin, or Wat Sadue Muang depending on who you ask. This relatively unassuming Wat that stands just to the left of the “Three Kings” sculpture was the first Temple I saw while in Chiang Mai. I didn’t go in, just took a peak through the open front doors, looked in through a side window and eventually discovered the beautifully wrapped Stupa that eventually became this linocut.

In retrospect I realize how silly I was being. This particular Wat is comparable in distance from the hotel as a 4-block walk in NYC, yet at the time, on my first day, it felt like a 30 mile walk into the unknown of a foreign land.

It became a spot I would see or walk by almost daily during the rest of my 3.5 weeks in Chiang Mai, so it has a special spot in my heart. I started out on this journey rather hesitant and fearful of the unexpected and ended up eventually discovering so much more about Chiang Mai and my self. I ended up spending my entire last week hanging out in a number of the 80 Temples that dot the city like Starbucks dots NYC. I became adventurous in my exploration, I even learned the proper way to enter a temple and prostrate to Buddha. I walked around the city like I would walk around NYC and documented my journey through 100’s of photo’s as well as sketches on postcards and finally linoleum.

So, to Wat Intakhin and the gentleman who sat down next to me for a good 1/2 hour the afternoon I was drawing this particular linoleum, I say, “Thank you. You will always have a special place in my heart. Despite the fact that you and I could not communicate verbally, your kindness was obvious and indicative of Chiang Mai. I will always be grateful.“



Monday, December 22, 2008

HOLIDAY CARDS THROUGH THE YEARS

2008 ROBO-SNOWMAN


I started printing up my own Holiday cards in 1995, having been to design school but never taking a printmaking class I decided to teach myself how to print linocuts. I can't quite remember exactly what inspired me to work with linocuts other than the fact that I believed by using this medium I would be forced to work in a less detailed fashion than what I was used to doing with many other mediums including, graphite, pen and ink and acrylics. As you can see with time, I found a way to work around that perceived notion of a"less-detailed" medium.

Not knowing what the proper tools were in order to do an actual linocut, I bought a piece of wood-backed linoleum and when the time came to actually cut the image out, I grabbed what I was used to working with, an xacto-blade and got to work cutting out my first piece. That became the 2-color self-portrait holiday card I created while still living in Boston in 1995.

I continued to work like this until I moved to NYC the following year and just happened to meet Javier Cintron, a brilliant artist in his own right who at the time was working in the printmaking workshop of Bob Blackburn. Through Javier, I discovered that there were proper tools to cut linoleum with and places where they actually had printing presses to print editions out on. I'd sneak in when Javier was monitoring the shop and work on my own projects while observing the rest of the artists. Eventually when I became comfortable enough with the environment, I became a monitor and as part of the job, I was allowed to use the presses during my shifts.

As time passed, I was able to purchase my own medium-sized press and the rest is history. I'm pretty sure at this point I have a few hundred images printed up over the years.

The following prints represent the work I've created as Holiday cards as well as gift tags between 1995 and this week. I look back at the images and I'm amazed at just how personal and revealing they really are. Although the subject matter changes each year, they have all become self-portraits allowing a glimpse into my state of mind at the time of creation.

I hope you enjoy checking the images out and HAPPY HOLIDAYS TO ALL!!!

1995 - SELF PORTRAIT


1996


1997


1997 - GIFT TAGS


1998 - NEW YORK'S INFLUENCE (One Of My Favorites Too)


1998


1999 - (A BUSY PRINTMAKING YEAR)








1999 GIFT TAGS


2000


2001 ( A Very Sad Year Here In The City)


2002


2002 - GIFT TAGS


2003 - SANTA CLAWS


2004


2004 GIFT TAGS


2005 - BETHESDA FOUNTAIN / CENTRAL PARK (Image Part of "1-A-DAY" Series)


2006 - ROBOSANTA (Image Part Of "A FACE A DAY" Series)


2007 - HOLIDAY WHIRLING DERVISH